Uh oh, more old stuff. I think this might be the last painting I made in this vein. Not only Caravaggio’s chiaroscuro, but a whole sleeve pinched from his Supper at Emmaus. It’s a homage of sorts to Joseph Wright of Derby and to the movie Robocop wherein a similar family pastime is advertised. Post-modern? I … More From the Vaults II
I went for a walk early one morning through a forest. A couple of months earlier there had been what are known as “controlled burns” through this area. Controlled burning is a way of removing the undergrowth that may become tinder during the fire danger season of high summer and hopefully reduce the risk of the … More Where the Wild Things Will Be
Here we go then. In the quest for complete honesty and full disclosure, here is a painting from art school. I was 21 when I painted it back in 1985. This was part of my honours show at Duncan of Jordanstone College of Art in Dundee. It was probably my most successful work from that year, … More From the Vaults I
There’s probably a cool Zen way to say this, but I’m not really interested in the “thingness” of things. When I paint, I’m mostly concerned with how it feels to be in an environment, not what it looks like, and certainly not what the individual items are. These are not trees, they are patches of … More Metaphor and the thingness of things
art about place 